Thursday, April 12, 2012

Cassy’s Corner- Comraderie


This is a partial repeat of a post I did in 2010. Yes (!) we’ve been at this blog for a number of years. I’m re-posting it with new commentary for I think it is a recurring theme for all of us who write.

We all have experienced the challenges of working in our little caves, our dens of solitude, our escapes for the “real” world as we pen to paper—or fingers to the keyboard. We also have heard many times that a writers needs critique partners, someone or multiple people to read and comment on our work as it progresses from major plot points, character development and eventually to the line edits that somehow never seem to end.
I have discovered I have mixed feelings about critique partners and crit groups. Now, don’t misunderstand me. I am open to all sorts of criticism. I know many who say their work would be thin and weak without the input of other writers they trust. I believe in that.
Yet, when is the best time to seek input and from whom?
I mentioned a few weeks ago that I had just returned from a brainstorming session in Italy with a group of writers. This is our second “annual” time together plus additional time at conferences. I put “annual” in quotation marks because we really are in touch more times in a day than I can count. But, I’m getting ahead of myself.
In my work, I used to think that if I talked about it too early in the development of the story, I lost something. I have been accused by my family of not sharing enough. They want to read—now! It often was if I shared when I was still in the incubation stage I absorbed too many of the comments and found myself without “my” story. Well, I now am changing my tune.
I think my writing and my self-confidence in my writing have grown since I posted back in 2010. I have come to the conclusion that there are, for me, three times that seeking input, criticism and commentary is invaluable.
The first is at the inception of a story. It’s when there is nothing sacred. A seed but no plant. It’s a major “what-if” game. Our brainstorming group would have each person throw out what was the germ of an idea, or a problem in a plot, or some general concern. The group focused only on that. Ideas bounced around the room like balls in a pool hall. Some ideas were fantastically important to growing the story. Some were so absurd that they have become inside jokes. We all grew.
The second time it’s important to me to have input is when I have almost 200 pages written. I need a set of eyes to tell me where the holes are. Where my mind has been racing and I know the story but haven’t told it as cogently as it should be written. It’s a groaning time. I think I’m two-thirds done and really have to look at it all over again. I can’t thank my readers enough for their honesty. Holes aren’t good.
The next time I need input is clean editing. I’m pretty good at line editing other people’s work. My own creates a bigger challenge. I’ve read it so many times, fixed so many errors, and found the word “just” 210 times. Fresh eyes are a gift.
I salute my brainstorming group and my wonderfully generous writer friends who willingly read for me with honest feedback.

5 comments:

Cassy Pickard said...

What works for you?? We'd all love to hear about it.

Kari Lee Townsend said...

I used to love feedback as I went along (after every chapter), but now I am always behind and end up in a writing marathon. So I tend to get feedback when the book is done. However, I always need brainstorming along the way. I brainstorm the initial idea and then several times along the way when I'm stuck. I also love to have my beta readers read the book as a whole when I'm done making changes from my CP. They are like a final set of eyes before my editor sees my work.

Good luck to you Cassy.

Liz Lipperman said...

I'm as odd bird, obviously. My CP and I exchange each chapter as it is written and we line edit. It's time consuming, but when we write "The End" we have a fairly clean manuscript. After a quick edit, I send the book out to two trusted beta readers.

As for plotting, you've heard me say many times that I belong to a group of about 15 women who get together about 4 times a year and have a few workshops on relevant things, such as Twitter, and then plot for anyone who needs help. I always need help and depend on the Plotting Princesses.

Your adventure in Italy sounds like it was very productive, Cassy. Now get to writing all the good stuff.

Cassy Pickard said...

You two are great! I love the different processes we all use. As long as it gets us to The End- it works. Anyone else out there use something unique??

Anita Clenney said...

I usually brainstorm the original idea early on. I'm so excited I can't stop talking about the story, usually to my CP, hubby, and sometimes Christine.

For the first book, several people had seen the story early on, and when Dana and I started working together, I got her input on almost everything, but I figured that was too much to ask, so for the second, I just ran problems by her and then let her look at it at the end, which turned out to be about three times since I kept tweaking it. Then I sent it to a couple of beta readers.

For this new series, other than some brainstorming, I'm not going to send it to anyone until I'm finished. Then I'll have Dana (CP) and my beta readers look at it.

Italy sounds like so much fun. I love brainstorming. It always amazes me how someone else can offer such a refreshing view of a story I've mulled over for weeks.