What a great relief to be almost finished with Guardians of Stone. I just got edits back from my developmental editor. I've never had a developmental editor before, just regular editors. The cool thing is that I'll get feedback from different editors, the developmental, the copy editor, and my regular editor. After all that, this thing better be shining like gold. The developmental editor is a guy, which surprised me, but he's been awesome.
This guy has pretty impressive credentials. He worked with Random House for a while, so I was thrilled when he said in all his career he had never seen a manuscript that felt so cinematic so early in the writing. Considering that we have movie interest, that's got me doing a little happy dance. :) The nice thing is that he gets the story, he really likes it, and he's given me some great feedback and suggestions. You know how it is, we never see entirely what's on the page...whether it's too little or too much.
So I'm working to incorporate his ideas and still trying to find a series title. The Relic Chronicles. The Relic Keepers. The Relic Seekers. Yikes. They're all great and they'll all work for different reasons...Geez. I have to make a decision. Anyway, here's another issue I need help with. I'm considering including this prologue. I'd love to know what you think about prologues in general and this one specifically. Does it intrigue, make you want to read more, or just leave you confused and frustrated?
Prologue
“This way.
We must hurry.” The voice beside him was weak. He didn’t know where they were,
but he could smell the earth and trees. A branch slapped his face, and he threw
up his hands to protect it. “I need to
rest.” His head and legs ached and fire flashed behind his eyes even though he
couldn’t see.
“We
can’t,” the voice said. “Not yet.” His breathing was ragged and it sounded like
he needed to rest too. After a few more minutes of stumbling, the hand guiding
his arm dropped.
“You’ll
have to go alone,” the voice rasped.
“Go
where?” He didn’t know where he was. He didn’t know anything. Something cold
was placed in his hands. He heard a harsh, rattling breath then a thump. The
forest was quiet except for his panting. “Where are you?” He stretched his
hands in front of him, feeling blindly for the man. His foot hit something
solid, but soft, and he knelt, fear gripping him by the throat.
He put the
cold object in his pocket—it was a cross--and patted awkwardly with his hands
until he felt an arm. He followed it to a chest. It was still. No heartbeat. He
felt a crushing sadness, even though he didn’t know the man. He was sure he
should have. He sat down beside the dead man, surrounded by darkness, as lost
inside as out. He tried to remember…anything, but the only image he saw was a
girl with blonde hair, but her face wasn’t clear, and it faded as quickly as it
had come. His head burned and he touched the wound, trying to remember how he’d
gotten here. He felt the stickiness of fresh blood, then his hands slid lower,
touching nose, lips, jaw, searching for something familiar. He didn’t know what
to do, so he clutched the cross in his pocket, pulled his jacket around him and
waited for someone to find him.
7 comments:
As a writer, I love my prologues.
As a reader, I often skip a prologue if it is more than one page.
Is there any way you can incorporate yours into the story?
I recently had to drop an entire first chapter because of the dreaded "started in the wrong place". I was forced to weave the dumped information into the second chapter and it made my story much better.
However, in a series, maybe you need your prologue to tie the books together?
Sorry I'm no help. I'm seriously on the fence with this one :)
I don't see anything wrong with a prologue.
They are a good way to prevent weaving in backstory that might throw the reader off.
I think most romantic suspenses have prologues, and basically, this is a RS, right? I like it. It makes me wonder who the guy was who dies and what happened to the narrator.
And congrats on almost finishing and on the movie thing.
Hi Katt. I love prologues if they aren't long. So far, I've always used one, but I think it's because I write series, and there's so much backstory, really important things from the past that are relevant. It's a great way to set up the story.
I know about dumped first chapters. With my first book, that the first thing my agent told me to do. Get rid of the first chapter. :) Then I had to cut 20K words for my editor. Geez. Thanks for the comment!
Lindsay, I love prologues if they aren't too long. My favorites are the ones that give me a hint that there's a very different element in the story than appears in the first chapter or two.
Thanks, Liz. This does have a lot of romantic suspense. The other thing I like about prologues is that you can get a glimpse of important characters who aren't alive in the current time. Hope your writing is going well!
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